#A SPACE ODYSSEY 1968 MOVIE#

Such an elemental question – where do we come from? – is answered in 2001: A Space Odyssey.

The visuals imply that the monolith bestows the apes with human-like intelligence – the ability to reason and use tools – which leads to humankind’s eventual journey to space. The prologue depicts what the film calls “The Dawn of Man,” which dramatizes a tribe of apes interacting with a monolith millions of years before the film’s main action.

When Kubrick approached Clarke about collaborating on 2001: A Space Odyssey, he said that he wanted to make a film about “man’s relationship to the universe.” It’s about as high-minded a concept as one can get, and it’s demonstrated in two main sections of the film. Not only does it still hold up as a cerebral and visually stunning film, but it has since changed the genre, bifurcating science fiction films into two main categories, and even the best of recent years has not approached what 2001: A Space Odyssey was able to accomplish.

#A SPACE ODYSSEY 1968 MOVIE#

Related: Every Stanley Kubrick Movie Ranked, Worst To BestĪ masterpiece of the science fiction genre, 2001: A Space Odyssey was groundbreaking in its exploration of complex themes, its prescience, and its visual language. The bulk of the film’s runtime includes Dave and Frank’s conflict with HAL 9000 (voiced by Douglas Rain), their ship’s malfunctioning artificial intelligence, which exhibits signs of self-awareness. The story picks up later when Dave Bowman (Keir Dullea) and Frank Poole (Gary Lockwood) are on a deep space mission to Jupiter, later revealed to be a further investigation of the monolith’s lunar radio signal. Clarke, 2001: A Space Odyssey’s main plot begins with the discovery of a monolith on the moon, and upon investigation, a deafening radio signal is released. Written by Kubrick and famed science fiction author Arthur C.

A space odyssey 1968